pina bausch vie privée

[10] It was in New York City that Pina stated, "New York is like a jungle but at the same time it gives you a feeling of total freedom. Awarded some of the greatest prizes and honours world-wide, Pina Bausch is one of the most significant choreographers of our time. Kamryn Mikel. C'est à Wuppertal, bien sûr, que Pina Bausch la grande prêtresse de la danse contemporaine a réservé le privilège de voir sa nouvelle création 2001. Pina Bausch was born 1940 in Solingen and died 2009 in Wuppertal. Le commentaire sur des images du spectacle alterne avec une interview de la chorégraphe. Pendant cinq semaines, la cinéaste Chantal Akerman a suivi une tournée du Tanztheater Wuppertal, la compagnie cosmopolite de Pina Bausch. The company has a large repertoire of original pieces, and regularly tours throughout the world from its home base of the Opernhaus Wuppertal. Le commentaire sur des images de la répétition et des extraits du spectacle alternent avec les interviews de danseurs. It is a theatre that does not aim to preach, instead creating an elemental experience of life, which each spectator is invited to participate in along with the dancers. She took every opportunity to see performances and absorbed all the various tendencies. She thus cast the Bochum guest performance with just four dancers, five actors and a singer. The city was seen as a dance Mecca, where classical ballet was being reinvented thanks to George Balanchine and modern dance further developed. Reportage sur le spectacle de Pina BAUSCH "Palermo Palermo" présenté au Théâtre de la Ville à Paris. The second part, collaged freely together, with both men and women wearing female clothes as Bausch plays with entrenched gender-role conventions, is both entertaining and funny. She was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 2009. She received her dance training at the Folkwang School in Essen under Kurt Jooss, where she achieved technical excellence. Some sources erroneously spell her name "Philippina". She is survived by her son Salomon. Philippina Bausch, alias Pina Bausch, née le 27 juillet 1940 à Solingen (Allemagne) et morte le 30 juin 2009 à Wuppertal, est une danseuse et chorégraphe allemande. Yet her early experience of the war is also reflected in the pieces, in sudden outbursts of panic, fear of an unnamed danger. En 30 ans, les critiques adressés à sa démarche se sont transformées en ovations. À suivre. Bausch demonstrated both these values, unleashing dramatic energy of a kind never seen before. "Improvisation and the memory of [the dancer's] own experiences ... she asks questions—about parents, childhood, feelings in specific situations, the use of objects, dislikes, injuries, aspirations. She learned to observe people, above all the fundamental things which drive them. Vidéos à découvrir. Pina Bausch has been awarded many prizes and accolades for her work, including the New York Bessie Award in 1984, the German Dance Prize in 1995, the Berlin Theatre Prize in1997, Japan's Praemium Imperiale in 1999, Monte Carlo's Nijinsky Prize, the Golden Mask in Moscow in 2005 and the Goethe Prize of the city of Frankfurt in 2008. Bausch died on 30 June 2009 in Wuppertal, North Rhine Westphalia, Germany at the age of 68[20] of an unstated form of cancer attributable to smoking,[21] five days after diagnosis[5] and two days before shooting was scheduled to begin for the long-planned Wim Wenders documentary. Orphée et Eurydice - Pina Bausch. Le travail de Pina Bausch à Wuppertal, Venise et Avignon. Slowly it became clear what dance theatre was about; not provocation, but, in Pina Bausch's own words, 'a space where we can encounter each other'. She would perform for all of the guests in the hotel and occasionally go into their rooms and dance while they were trying to read the newspaper. The proximity of the other arts taught at the Folkwang School, including opera, music, drama, sculpture, painting, photography, design, was also an important influence on her, reflected later in the form of a wholly open approach to the media in her work as a choreographer. Au Théâtre de la Ville, à Paris, la chorégraphe allemande, Pina Bausch propose sa dernière création intitulée Terre verte. Her pieces are constructed of short units of dialogue and action, often of a surreal nature. Pina Bausch Biography. It was renamed later: Tanztheater Wuppertal Pina Bausch. On 30 June 2009 Pina Bausch's life journey reached its end. The film premiered at the Berlin Film Festival in 2011. Like the pieces themselves, stages sets and costume reflect everyday life yet continually exceed it, ascending into dream-like beauty and weightlessness. Its combination of poetic and everyday elements influenced the international development of dance decisively. The secret of this success may lie in the fact that Pina Bausch's dance theatre risks taking an unflinching look at reality, yet at the same time invites us to dream. She will be remembered as one of the most significant choreographers of the twentieth century. Pina Bausch's teachers included Antony Tudor, José Limón, dancers from Martha Graham's company, Alfredo Corvino and Margret Craske. transcript, Bielefeld 2020, This page was last edited on 29 December 2020, at 11:04. One thing with various other things. 4:40. The dancer is free to choose any expressive mode, whether it is verbal or physical when answering these questions. [25] The typical subtitle from 1978 was Stück von Pina Bausch (A piece by Pina Bausch). Christoph W. Gluck / Opéra dansé de Pina Bausch Danseur : Stéphane Bullion Mezzo-soprano : Agata Schmidt. Wenders' documentary, Pina, was released in late 2011 in the United States, and is dedicated to her memory. Regardez immédiatement en replay L'héritage de Pina Bausch, diffusée le 10-01-21 10:01 C'est un film dansé en 3D, porté par l’Ensemble du Tanztheater Wuppertal et l’art singulier de sa chorégraphe disparue à l’été 2009. In 1958 Pina Bausch was awarded the Folkwang Leistungspreis and, armed with a grant from the Deutschen Akademischen Austauschdienst (German Academic Exchange Service: DAAD) she spent a year as 'Special Student' at the Juilliard School of Music in New York. The work, once controversial, eventually developed into a world theatre, which can incorporate all cultural colourations and treats every person with the same respect. In January 1980 Pina Bausch's long-term life partner Rolf Borzik died. The Man I love - Pina BAUSCH Nelken (1983) [In Un jour Pina a demandé (1982, 57 mn) - Réalisation : Chantal Akerman. He takes her by the hand and leads her into the castle, the others follow ... Old English folk songs, Shakespeare songs. Signaler. Following his death his work was continued by Peter Pabst (sets) and Marion Cito (costume). The translations are given as on the website of Tanztheater Wuppertal Pina Bausch. video 25 avril 1998 2603 vues 02min 35s. operadeparis. Company, Artistic Practices and Reception. This global theatre is generous, relaxed in its perception of the world and thoroughly charming towards its audience. Stills from the performance and the episode show a group of women seemingly defying gravity as they cling to the walls high above the ground, toes pointed down and hands pressed above them. La passion est au coeur de l'oeuvre de Pina Bausch. Aurélie Dupont, née le 15 janvier 1973 à Paris, est la directrice de la danse du ballet de l'Opéra national de Paris depuis le 4 février 2016 et une ancienne danseuse étoile de cette même institution. Et de toutes les couleurs de ceux-ci : les belles et les laides. Bausch was married to Dutch-born Rolf Borzik, a set and costume designer who died of leukaemia in 1980. 4 Chorégraphie Pina Bausch 1975 L´Opéra Wuppertal, Tanztheater Wuppertal, L´Elue Malou Airaudo. There are only answers: sentences, little scenes someone's shown you. In the early days his stage sets and costumes had largely shaped the appearance of dance theatre. [24], The following table shows works since 1973. In 1974, with Ich bring dich um die Ecke (I'll Do You In), she entered the frivolous world of popular songs, while Komm, tanz mit mir (Come Dance with Me) used old German folk songs and Renate wandert aus (Renate Emigrates) played on the clichés of operetta (both 1977). The costumes too, can be as elegant as they are absurd, from the refinement of evening dress to the childish delight in dressing up. By Norbert Servos Il lui restera fidèle jusqu'à sa mort en 2009, et certaines de ses créations continuent encore aujourd'hui à se jouer. In 1973 the director of the Wuppertal theatres Arno Wüstenhöfer appointed her head of the Wuppertal Ballet, which she soon renamed the Tanztheater Wuppertal. For the tour, Bowie "wanted to bridge together some kind of symbolist theatre and modern dance" and used Bausch's early work as a guideline. Commande de l'Exposition de Lisbonne, Masurca Fogo raconte sa vision de la capitale portugaise. After graduation in 1959, Bausch left Germany with a scholarship from the German Academic Exchange Service to continue her studies at the Juilliard School in New York City in 1960,[8] where her teachers included Antony Tudor, José Limón, Alfredo Corvino,[9] and Paul Taylor. In 1973, Bausch started as artistic director of the Wuppertal Opera ballet, as the Tanztheater Wuppertal [de], run as an independent company. There's nothing there to start with. Her 1975 choreography for Igor Stravinsky's Le Sacre du printemps was to become a milestone; the emotional force and unmediated physicality of the piece became trademarks of her work. Soon after the director of Wuppertal's theatres, Arno Wüstenhöfer, engaged her as choreographer, from autumn 1973, she renamed the ensemble the Tanztheater Wuppertal. "Kontakthof" is composed of Kontakt ("contact") and Hof ("court, courtyard"), resulting in "courtyard of contact," which is also a technical term for an area in some brothels where the first contact with prostitutes is possible. Visionnez gratuitement les vidéos du programme L'incontournable en streaming sur Auvio. La chorégraphe Pina BAUSCH présente sa dernière création, "Nefes", au Théâtre de la Ville, à Paris. Au Théatre de la Ville à Paris, Pina BAUSCH et le Tanztheater Wuppertal créent le ballet "Nur du".Retrouvez ce media sur Ina.fr The thrilling Frühlingsopfer (The Rite of Spring) (1975) required the stage to be completely covered with soil. The show's central and most prolific scene was dedicated to the memory of Pina Bausch and involved performers linking arms and stripping naked a man and woman.[22]. The same year, choreographer and experimental theatre-maker Dimitris Papaioannou created a piece called Nowhere to inaugurate the renovated Main Stage of the Greek National Theatre in Athens. The photo of Bausch's performance was previously released on Reddit as well as Twitter with the implication that it was from a Russian mental institution, but its source was quickly identified. All the men and women in Pina Bausch's pieces can do is test out, with the utmost precision and honesty, what brings each and every one closer to happiness, and what pushes them further from it; they cannot offer a panacea. Folk music from Lombardy, Tuscany, Southern Italy, Sardinia and Bolivia, medieval dance music, Russian Waltz, music from New Orleans, dance music of the 1930s, music by Tchaikovsky, Buxtehude, Dvořák and Khachaturian, a.o. One has to do it because one believes that it is the right thing to do. It invites them to make peace with life, and trust their courage to go on living and their own strength. Then at a certain point I'll take something which I think is right and join it to something else. In her later work her affinity to opera and her respect for musical tradition was to play a equal role to, for instance, her love of jazz. Repetition is an important structuring device. TV5MONDE. Danse: Orphée et Eurydice par Pina Bausch. Elle s'écarte du livret de la pièce chorégraphiée en 1913 par Vaslav Nijinski pour dresser face à … Several universities have awarded her an honorary doctorate. She stated, "In the end, it's composition. Calme, avec autant de tendresse que de pudeur, Pina Bausch crée une nouvelle forme de ballet, forme dans laquelle les danseurs parlent, crient, interpellent le public, dans laquelle les morphologies ne respectent aucune norme… [11] In 1969, she succeeded Jooss as artistic director of the company.[8]. Out of the finds brought back from the journey which begins with each new piece, out of the many small scenes and the many dancers – ever more over the years – a global image of enormous complexity is pieced together, full of surprising turns. The works were created when Bausch was invited to visit and stay in 10 global locations – in India, Brazil, Palermo, Hong Kong, Los Angeles, Budapest, Istanbul, Santiago, Rome, and Japan – between 1986 and 2009. Aun collègue qui l’interrogeait sur le côté torturé de certains de ses spectacles, Pina Bausch avait rétorqué, sourire aux lèvres : « Mais non ! But along with her talent for drama Pina Bausch also demonstrated a sense of humour right from the start, seen for instance in her Brecht/Weill double-bill Die sieben Todsünden (The Seven Deadly Sins) and Fürchtet Euch nicht (Don't Be Afraid) of 1976. A mediator between cultures, it is a messenger of freedom and mutual understanding. Pina Bausch - retrouvez toute l'actualité, nos dossiers et nos émissions sur France Culture, le site de la chaîne des savoirs et de la création. Passion de la chorégraphe allemande pour ses danseurs, et réciproquement. She had a very specific process in which she went about creating emotions. The humour and the beauty, often overlooked in the beginning, even when they lay in the apparently ugly, were gradually understood over the years. À partir de 1979, Gérard Violette accueille Pina Bausch au Théâtre de la Ville à Paris. In June 2007 she was presented with the Venice Biennale Golden Lion for her life's work and in November that year she was awarded the highly respected Kyoto Prize. As the Folkwang Tanzstudio needed new pieces, she began to choreograph independently and created works such as Fragment or Im Wind der Zeit (In the Wind of Time), for which she was awarded first prize at the International Choreographic Workshop of 1969 in Cologne. Her parents ran a restaurant in Solingen attached to a hotel where, along with her siblings, Pina helped out. With this cast she was unable to deploy choreographic steps and so began by asking her performers associative questions around the themes of the play. In his teaching, however, Jooss sought to reconcile the free spirit of the dance revolutionaries with the fundamental rules of ballet. The result of this joint investigation was premiered on 22 April 1978 in Bochum under the lengthy title Er nimmt sie an der Hand und führt sie in das Schloss, die andern folgen (He takes her by the hand and leads her into the castle, the others follow) and was almost drowned out by the storm of protest from the audience. There is only life and us. In taking people's essential emotions as its starting point - their fears and needs, wishes and desires - the Tanztheater Wuppertal was not only able to be understood throughout the world, it sparked an international choreographic revolution. Il faut imaginer Pina Bausch observant ses danseurs pendant leurs répétitions. Bausch had most of the dancers perform this piece with their eyes closed. Several of Pina Bausch's works were announced as Tanzabend because she chose a title late in the development of a work. [23], Promotional trailers for the third season of American Horror Story: Coven included a clip for the episode "Detention" and were likely influenced by Bausch's work Blaubart. For their part, they are required to take responsibility themselves. La japonaise Kyomi Ichida a dansé pour Pina Bausch de 1982 à 1998. C’est un hommage à la Hongrie, à Budapest, mais aussi une merveilleuse célébration sensuelle féminine comme vous le présente Michel Strulovici avec … Pina Bausch danced in works by Jooss, both old and new, as well as assisting him with choreography. Philippine "Pina" Bausch[1][2][3][4][a] (27 July 1940 – 30 June 2009) was a German dancer and choreographer who, with a blend of movement, sound, and prominent stage sets, and with performers during the development of a piece (a style now known as Tanztheater), became an influence in the field of modern dance from the 1970s on. ", One of the themes in her work was relationships. [15] Later that year, she met Ronald Kay, and in 1981 they had a son, Rolf-Salomon T.[16], Among the honours awarded to Bausch are the UK's Laurence Olivier Award and Japan's Kyoto Prize. The young dance student Bausch thus acquired techniques for free creative expression as well as the command of a clear form. Water and rain allow the body to be seen through the clothes; earth makes every movement a feat of strength; the dancers' steps are traced in a layer of fallen leaves. Dans la lignée des thèmes explorés par Bausch, Vollmond aborde la guerre des sexes et la difficulté de vivre ensemble. Pina Bausch au Théâtre de la Ville: une histoire d'amour de 34 ans. Two years after she had left for New York Kurt Jooss asked her to return to Essen. lang.[13]. 20 h 06 La vie et l'oeuvre de Pina Bausch racontées par Andrée Martin Durée : 23:00 En 1995, à Avignon, la chorégraphe allemande Pina Bausch danse dans son ballet Café Müller. 5:51. In 1997 the German government honoured her with the Order of Merit of the Federal Republic of Germany, the French with the title Commandeur de l'Ordre des Arts et de Lettre in 1991 and Chevalier de la Légion d'Honneur in 2003. Enfant, Pina Bausch aimait se réfugier sous les tables et observer les clients. "Pina Bausch: Dancer and choreographer whose seminal work gave an unsettling view of the human condition", Pina Bausch, German choreographer and dancer, dies, Pina Bausch dance cycle to be staged as part of 2012 Cultural Olympiad, "Pina Bausch dies at 68; innovative German choreographer", "American Horror Story Season 3 Spoilers", Fest mit Pina – Internationales Tanzfestival 2008 – Programm, Kontraste prägen Pina Bauschs neues Tanzstück, Tanztheater Pina Bausch startet zu Gastspielreise nach Chile, "The Death of the German Choreographer Pina Bausch", "Pina Bausch, 1940–2009 / We have lost dance's most visionary, influential figure, who redrew the map of the theatre arts", "Pina Bausch, German Choreographer, Dies at 68", "Pina, Queen Of The Deep / Pina Bausch, Tanztheater Wuppertal", Archival footage of Lutz Forster performing in Pina Bausch's, Archival footage of a complete performance (, Dance photo, Helena Pikon by Peter Lind 1986, Dance photo, Jan Minarik & Dominique Mercy by Peter Lind 1986, Laurence Olivier Award for Outstanding Achievement in Dance, https://en.wikipedia.org/w/index.php?title=Pina_Bausch&oldid=996961819, Recipients of the Pour le Mérite (civil class), Knights Commander of the Order of Merit of the Federal Republic of Germany, Fellows of the American Academy of Arts and Sciences, Articles with dead external links from April 2018, Articles containing Italian-language text, Articles containing Portuguese-language text, Articles containing Spanish-language text, Articles containing Turkish-language text, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Come dance with me, piece using old folk songs.

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